翻訳と辞書
Words near each other
・ I Want You Bad (And That Ain't Good)
・ I Want You Near Me
・ I Want You So Bad
・ I Want You So Bad (James Brown song)
・ I Want You So Hard (Boy's Bad News)
・ I Want You to Be My Baby
・ I Want You to Know
・ I Want You to Know (Fats Domino song)
・ I Want You to Know (Per Gessle song)
・ I Want You to Know (Zedd song)
・ I Want You to Know That There Is Always Hope
・ I Want You to Need Me
・ I Want You to Stay
・ I Want You to Want Me
・ I Want You Women up North to Know
I Want You, I Need You, I Love You
・ I Want Your Love
・ I Want Your Love (album)
・ I Want Your Love (Atomic Kitten song)
・ I Want Your Love (Chic song)
・ I Want Your Love (Eduard Romanyuta song)
・ I Want Your Love (film)
・ I Want Your Love (Transvision Vamp song)
・ I Want Your Money
・ I Want Your Sex
・ I Want Your Soul
・ I Wanta Sing
・ I Wanted to Tell Her
・ I Wanted Wings
・ I Warn the Government


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I Want You, I Need You, I Love You : ウィキペディア英語版
I Want You, I Need You, I Love You

"I Want You, I Need You, I Love You" is a popular song written by Maurice Mysels and Ira Kosloff.〔Victor (2008), p. 251.〕 It is known best for being Elvis Presley's seventh RCA single release.〔 It was released during May 1956, becoming Presley's second #1 single on the country music charts, and peaking at #3 on the ''Billboard'' Top 100 popular music singles chart, an earlier version of the ''Billboard'' Hot 100.〔 Before the creation of the ''Billboard'' Hot 100 chart during 1958, there were a number of charts including Jukebox plays, Store charts, and Airplay charts. The song scored #1 on the ''Billboard'' Top Sellers in Stores chart.
==Recording==
During April 1956, ''Variety Magazine'' reported that Presley's sixth RCA Victor single, "Heartbreak Hotel", had sold one million copies.〔Guralnick/Jorgensen (1999), ''Elvis: Day by Day'', p. 69.〕 RCA producer Steve Sholes wanted a strong single to be the next release, aware that there was not much good material available.〔 Due to Presley's busy touring schedule, Sholes needed to get him into the studio as soon as possible. Presley and his band chartered a small propeller airplane to Nashville for one day of recording between shows.〔
En route from Amarillo, the airplane developed engine trouble and fell through the sky several times.〔 Upon arrival in Nashville on the morning of April 14, all four were disconcerted.〔 Presley arrived at RCA Studios without ideas for the recording session and therefore had no choice but to use Sholes' suggestions, one of which was "I Want You, I Need You, I Love You".〔
Being used to later working hours, coupled with his traumatic experience during his overnight flight, the recording session was bad.〔 Take after take was ruined for one reason or another and the band was not relaxed. Presley, usually a very quick study with a song, couldn't get the lyrics right. After 17 takes during three hours,〔 Sholes decided Presley and the band weren't able to record properly and sent them home.
After the session, Sholes listened to the takes again. He wasn't happy with the results of what he considered to be an unprofessional and wasted session.〔Guralnick/Jorgensen (1999), ''Elvis: Day by Day'', p. 70.〕 It had cost $1,000 to fly Presley and his band in by a private flight, and Sholes let Presley's manager, Colonel Tom Parker, know that he was unsatisfied with the work and required material urgently for a second album.〔 He knew that with Presley's busy touring schedule it could be months before RCA Victor got him back into a studio.
Performing what was a very rare and generally unsuccessful procedure for the 1950s, Sholes took parts of two takes he liked (takes 14 and 17) and cut and spliced them together to create a take worthy of release.〔 His cuts were so seamless, nobody at RCA Victor could tell it wasn't from a single take.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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